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Who Is Ariana Debose: In a Barely-There Gown, Ariana De Bose Flashed Off Her Cleavage at The Tony Awards!

The 75th Annual Tony Awards were held on Sunday and were hosted by Academy Award-winning actress Ariana DeBose. The West Side Story actress took to social media just hours before the star-studded event in New York’s Radio City Music Hall to reflect on her time on Broadway and share a funny recollection with her followers.

Ariana DeBose, 31, wowed the audience at Radio City Music Hall in New York City yesterday night when she hosted the Tony Awards 2022. Ariana chose a daring cut-out sequin-covered gown with a thigh-high split for the red carpet at the star-studded event.

Ariana De Bose.


Some black stilettos with silver jewelry completed her ensemble. Makeup artist Ariana Grande went for a strong smokey eye and nude glossy lip in her glam look. In a cut-out gown, Ariana DeBose dared to show some skin. The 75th Tony Awards were held in New York City. At the Tony Awards, Ariana DeBose sang the show-opening number.

To get the party started right, Ariana DeBose belted out a number of Broadway standards, including songs from shows such as Cabaret, Pippin, and The Wiz as well as The Sound of Music and West Side Story.

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Michael Bennett and Daisy Eagan.


It was fantastic to see Michael Bennett and Daisy Eagan again in the segment’s excerpts of past award speeches. If anything, the song was overstuffed with clever ideas, necessitating at least one further listening to catch them all. When DeBose played Evita, where was LuPone’s reaction shot? In her introductory speech, Debose paid gratitude to Broadway’s understudies, standbys, and swings, as well as the contributions made by LGBTQ+ and BIPOC communities this season, in particular.

“Theater,” she observed, “is becoming more like the people who love it.” The Tony Award for Best Musical went to A Strange Loop to establish her thesis. The night’s best performances belonged to MJ, Paradise Square, and A Strange Loop. Both MJ’s “Smooth Criminal” and Paradise Square’s “Let It Burn,” starring Myles Frost and Joaquina Kalukango, are expected to do well at the box office this week.

The Cast of A Strange Loop.


As for “Intermission Song” by Jaquel Spivey and the cast of A Strange Loop, it was an excellent start to a production that merits all the attention and praise it receives.” On the small screen, some of the Best Musical nominees’ songs were less remarkable. “Ladies Who Lunch,” for example, or “I Want You” from Dylan’s musical, might have been better choices for Company and Girl from the North Country than the more crowded ensemble numbers.

Mr. Saturday Night did no favors for the revival with Billy Crystal’s monotonous Borscht Belt singing that does not even approach to match the joy of that musical’s over-the-top marching band antics in The Music Man. On multiple occasions, LuPone and Harper used the now-classic “Chris Harper pays my salary” statement from her take-down of an audience member without a mask to their advantage.

Read More: Tony Winners 2022: The Tony Awards of This Year, Peaks, Low Points, and Whoas!

The Playwright of The Minutes.

ariana debose

Tracy Letts, the playwright of The Minutes, provided the night’s most powerful political grandstanding, whether for good or ill. Letts declared plainly, “I hope the audience comes away with the burning desire to stop fascism rising in our country,” during a brilliant filmed piece in which nominated writers expressed, among other things, what they hope spectators take away from their nominated plays.

To “young Black kids who may not have an excellent relationship with their fathers — you can do it,” Frost stated in his winning speech. When Frost finished saying that he loved his father and whispered “With love, with love, heal the world,” he added, “Also Dad, I love you.”

During her acceptance speech, Deirdre O’Connell, who won the Tony Award for Best Lead Actress in a Play for her lip-synced performance in Dana H., said, “I’d love for this little prize to be a token for every person who is wondering if I should be trying to make something that could work on Broadway and could win me a Tony Award, or should I make the weird art that is haunting me, that frightens me, that I don’t know how to make, that I don’t know if anyone in the world would be interested in.”


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